originalmente postado no tópico "Som da Frente" em 04/09/2007
domingo, 12 de dezembro de 2010
segunda-feira, 29 de novembro de 2010
sábado, 20 de novembro de 2010
domingo, 31 de outubro de 2010
Há um ano / One year ago
Há um ano, pelas 0 horas e 55 minutos de 6ª para Sábado, 31 de Outubro. António Sérgio colocou uma música de um álbum arrasador, que havia dado a conhecer integralmente logo na sua estreia, em 1997. Às vezes fazia isso...
Há um ano e alguns dias antes, tive o privilégio de um seu contactado a propósito de uma hora a mais que tinha no programa.
AS normalmente escolhia com muito cuidado todo o alinhamento dos seus programas, "missas" como eu lhes chamava. Especialmente a de "abertura das festas" e a de fecho.
Ninguém sabia se havia alguma razão especial, nem que seria a última. Mas a última música que passou para sempre, foi esta:
>
One year ago, at zero hour and 55 minutes from Friday to Saturday, October 31. António Sérgio played a song from an awesome album, which he had fully disclosed at its presentation in 1997. Sometimes he did this ...
One year and a few days ago, I also had the privilege of his contact (I didnt know it was the last...) about an hour longer than he had in the program.
AS usually chose very carefully the entire alignment of his programs, "masses" as I called them. Especially the "opening of the party" and the closing.
Nobody knew if there was any special reason or if that song would be the last. But the last song he played, forever, was the one above.
Há um ano e alguns dias antes, tive o privilégio de um seu contactado a propósito de uma hora a mais que tinha no programa.
AS normalmente escolhia com muito cuidado todo o alinhamento dos seus programas, "missas" como eu lhes chamava. Especialmente a de "abertura das festas" e a de fecho.
Ninguém sabia se havia alguma razão especial, nem que seria a última. Mas a última música que passou para sempre, foi esta:
>
One year ago, at zero hour and 55 minutes from Friday to Saturday, October 31. António Sérgio played a song from an awesome album, which he had fully disclosed at its presentation in 1997. Sometimes he did this ...
One year and a few days ago, I also had the privilege of his contact (I didnt know it was the last...) about an hour longer than he had in the program.
AS usually chose very carefully the entire alignment of his programs, "masses" as I called them. Especially the "opening of the party" and the closing.
Nobody knew if there was any special reason or if that song would be the last. But the last song he played, forever, was the one above.
originalmente postado em Kings of Maybe
Etiquetas:
90's,
António Sérgio,
RADAR,
radiohead,
Thom Yorke
sábado, 9 de outubro de 2010
quinta-feira, 26 de agosto de 2010
quinta-feira, 22 de julho de 2010
goin' on holidays
No I'm not going to Jamaica but to another nice place without harassment :D
So help us Saint Peter in the skies to give us a bit of Summer 'cause I only smelled it this year...
Happy holidays to you all
:-)
So help us Saint Peter in the skies to give us a bit of Summer 'cause I only smelled it this year...
Happy holidays to you all
:-)
original post in Kings of Maybe
sábado, 17 de julho de 2010
quarta-feira, 14 de julho de 2010
sábado, 10 de julho de 2010
domingo, 4 de julho de 2010
hoje sinto-me africano
De Malange, Angola.
Os membros desta banda incrível são todos cegos.
Nota: o som está muito baixo mas vale a pena.
originalmente postado aqui
domingo, 27 de junho de 2010
dedicated for a few
... The skyline change. May draw them to the park, With pencils sharp, Competing for a view. It's almost summer now, But winter for a few ...
original post here
sábado, 12 de junho de 2010
quarta-feira, 19 de maio de 2010
the night nurse
Etiquetas:
2000's,
Britta Phillips,
Dean and Britta,
Dean Wareham,
galaxie 500,
Luna
sexta-feira, 14 de maio de 2010
saudade
En ce mai de fous messages .. J'ai un rendez-vous dans l'air .. Inattendu et clair .. Déjà je pars à ta découverte .. Ville bonne* et offerte .. C'est l'attrait du danger .. Qui me mène à ce lieu .. C'est d'instinct .. Qu'tu me cherches et approches .. Je sens que c'est toi.
C'est à l'aube que se ferment .. Tes prunelles marina .. Sous quel meridien se caresser .. Dans mes bras te cacher .. Dans ces ruelles fantômes .. Ou sur cette terrasse .. Où s'écrase un soleil .. Tu m'enseignes .. Le langage des yeux .. Je reste sans voix.
Les nuits au loin tu cherches l'ombre .. Comment ris-tu avec les autres .. Parfois aussi je m'abandonne .. Mais au matin les dauphins se meurent .. De saudade...
Où mène ce tourbillon .. Cette valse d'avions .. Aller au bout de toi et de moi .. Vaincre la peur du vide .. Les ruptures d'équilibre .. Si tes larmes se mèlent .. Aux pluies de novembre .. Et que je dois en périr .. Je sombrerai avec joie ... De saudade...
C'est à l'aube que se ferment .. Tes prunelles marina .. Sous quel meridien se caresser .. Dans mes bras te cacher .. Dans ces ruelles fantômes .. Ou sur cette terrasse .. Où s'écrase un soleil .. Tu m'enseignes .. Le langage des yeux .. Je reste sans voix.
Les nuits au loin tu cherches l'ombre .. Comment ris-tu avec les autres .. Parfois aussi je m'abandonne .. Mais au matin les dauphins se meurent .. De saudade...
Où mène ce tourbillon .. Cette valse d'avions .. Aller au bout de toi et de moi .. Vaincre la peur du vide .. Les ruptures d'équilibre .. Si tes larmes se mèlent .. Aux pluies de novembre .. Et que je dois en périr .. Je sombrerai avec joie ... De saudade...
*Lisbonne
sexta-feira, 7 de maio de 2010
terça-feira, 4 de maio de 2010
sábado, 1 de maio de 2010
quinta-feira, 29 de abril de 2010
terça-feira, 20 de abril de 2010
the trouble with flying
I think I haven't heard Orba Squara since A.S. is gone...
I love everything about this "band". I love the sounds the rhythms the feelings...
Val pal took me today this clip:
Val pal took me today this clip:
Let us know a little more about this "band" as written here:
You’ve come here for facts, so facts are what we’ll give you. Orba Squara is the musical alter ego of Mitch Davis, an independent New York-based inger/songwriter/multi-instrumentalist. If Davis’s name doesn’t ring a bell (yet), his artistry most certainly will: “Perfect Timing,” a track from Orba Squara’s 2007 debut, sunshyness, was featured in the first international TV campaign for the iPhone. (See it at http://www.youtube.com/watch?v=XrcsQvZz06g.)
Yet more than anything, what Orba Squara represents is an idea: namely, that in an age of increasing electronic saturation—an age when one might wonder if something actually happened if it wasn’t Twittered about—there’s something refreshing (and reassuring) about music made with human hands.
That’s the sound of Orba Squara’s sophomore set, The Trouble with Flying, a mesmerizing collection of homemade art-pop gems. Highlights include opener “Treasure Map,” in which Davis describes a world populated by leprechauns, minotaurs and unicorns; the Broadway miniature “Millionaires,” where he imagines buying “a dozen diamonds like they were a dime a dozen” (then giving them away just to impress his beloved); and “Brand New Day,” an upbeat charmer in which the narrator makes a promise “that I’ll always be unique.”
As defined by Davis’s idiosyncratic vocals and his off-kilter melodic sense, Flying makes good on that guarantee. Still, fans of the Magnetic Fields’ 69 Love Songs should prepare to open their hearts for 13 more.
“When I started working as Orba Squara, it was a reaction to the fact that you couldn’t really do anything with electronic music to surprise anyone more,” says Davis, who in his support of sunshyness played numerous high-profile gigs including Brooklyn Vegan’s 2007 CMJ showcase, ASCAP’s 2008 Sundance Film Festival party and NPR’s World Cafe. “At this point there’s no sound that’s gonna make somebody say, ‘Whoa, that’s crazy—how’d you get that!?’ So I just thought, Well, lemme go backwards to these instruments that are a hundred years old”— Davis’s arsenal includes acoustic guitar, toy piano, ukulele and xylophone—“and just make music that way. Do something different by purposely not using whatever’s the most modern thing out there.”
Davis made Flying predominately on his own in his New York studio, though he did receive help on two tracks (including the sitar-smeared title track) from an unlikely idol: Billy Squier, whom Davis calls his favorite recording artist of all time. The two met through a mutual friend, then began working together after Squier checked out sunshyness and liked what he heard.
“A week after I gave Billy my album he got in touch and told me if I had anything in the future that was right for him to call him up,” Davis remembers. “So, of course, I was like, ‘Actually…’” (The collaboration continues: Davis is currently at work producing Squier’s next solo release, and in July 2009, Orba Squara’s three-piece live incarnation opened for Squier at Long Island’s Capital One Bank Theatre.) Davis says Flying’s title refers to the fact that trying always comes accompanied by the risk of failure; in the title track he allegorizes that notion with a story about a bird falling from a tree before it’s ready to fly. But there are other ways to look at the phrase, as well. “For example,” Davis says, “the trouble with flying is that you have to wait in line and sometimes your luggage doesn’t make it where you do.”
In early 2009, Davis and a group of friends took a cross-country road trip—Davis’s first—in an attempt to explore yet another dimension of the album’s title: what you miss out on while sitting in an airplane 35,000 feet above the ground. “I got to see a lot of things I’d never seen before,” he enthuses. “People and places and scenery I would never have been exposed to otherwise.” The group documented their trek and put the result online—watch it at orbasquara.com—reflecting Davis’s determination to provide the listener drowning in MP3s with some crucial context for the music he or she is hearing: This is where this music comes from, the site suggests, and this is what it means.
Comparing his new tunes to music he made before his realization about the presence of the past, Davis says he feels more connected to the music on The Trouble with Flying than to anything he’s made before. Don’t think that means his hands are idle now, though. “Oh, I’m always recording,” he says with a matter-of-fact laugh. “I’m already at work on the next one.”
This biography was provided by the artist or their representative.
You’ve come here for facts, so facts are what we’ll give you. Orba Squara is the musical alter ego of Mitch Davis, an independent New York-based inger/songwriter/multi-instrumentalist. If Davis’s name doesn’t ring a bell (yet), his artistry most certainly will: “Perfect Timing,” a track from Orba Squara’s 2007 debut, sunshyness, was featured in the first international TV campaign for the iPhone. (See it at http://www.youtube.com/watch?v=XrcsQvZz06g.)
Yet more than anything, what Orba Squara represents is an idea: namely, that in an age of increasing electronic saturation—an age when one might wonder if something actually happened if it wasn’t Twittered about—there’s something refreshing (and reassuring) about music made with human hands.
That’s the sound of Orba Squara’s sophomore set, The Trouble with Flying, a mesmerizing collection of homemade art-pop gems. Highlights include opener “Treasure Map,” in which Davis describes a world populated by leprechauns, minotaurs and unicorns; the Broadway miniature “Millionaires,” where he imagines buying “a dozen diamonds like they were a dime a dozen” (then giving them away just to impress his beloved); and “Brand New Day,” an upbeat charmer in which the narrator makes a promise “that I’ll always be unique.”
As defined by Davis’s idiosyncratic vocals and his off-kilter melodic sense, Flying makes good on that guarantee. Still, fans of the Magnetic Fields’ 69 Love Songs should prepare to open their hearts for 13 more.
“When I started working as Orba Squara, it was a reaction to the fact that you couldn’t really do anything with electronic music to surprise anyone more,” says Davis, who in his support of sunshyness played numerous high-profile gigs including Brooklyn Vegan’s 2007 CMJ showcase, ASCAP’s 2008 Sundance Film Festival party and NPR’s World Cafe. “At this point there’s no sound that’s gonna make somebody say, ‘Whoa, that’s crazy—how’d you get that!?’ So I just thought, Well, lemme go backwards to these instruments that are a hundred years old”— Davis’s arsenal includes acoustic guitar, toy piano, ukulele and xylophone—“and just make music that way. Do something different by purposely not using whatever’s the most modern thing out there.”
Davis made Flying predominately on his own in his New York studio, though he did receive help on two tracks (including the sitar-smeared title track) from an unlikely idol: Billy Squier, whom Davis calls his favorite recording artist of all time. The two met through a mutual friend, then began working together after Squier checked out sunshyness and liked what he heard.
“A week after I gave Billy my album he got in touch and told me if I had anything in the future that was right for him to call him up,” Davis remembers. “So, of course, I was like, ‘Actually…’” (The collaboration continues: Davis is currently at work producing Squier’s next solo release, and in July 2009, Orba Squara’s three-piece live incarnation opened for Squier at Long Island’s Capital One Bank Theatre.) Davis says Flying’s title refers to the fact that trying always comes accompanied by the risk of failure; in the title track he allegorizes that notion with a story about a bird falling from a tree before it’s ready to fly. But there are other ways to look at the phrase, as well. “For example,” Davis says, “the trouble with flying is that you have to wait in line and sometimes your luggage doesn’t make it where you do.”
In early 2009, Davis and a group of friends took a cross-country road trip—Davis’s first—in an attempt to explore yet another dimension of the album’s title: what you miss out on while sitting in an airplane 35,000 feet above the ground. “I got to see a lot of things I’d never seen before,” he enthuses. “People and places and scenery I would never have been exposed to otherwise.” The group documented their trek and put the result online—watch it at orbasquara.com—reflecting Davis’s determination to provide the listener drowning in MP3s with some crucial context for the music he or she is hearing: This is where this music comes from, the site suggests, and this is what it means.
Comparing his new tunes to music he made before his realization about the presence of the past, Davis says he feels more connected to the music on The Trouble with Flying than to anything he’s made before. Don’t think that means his hands are idle now, though. “Oh, I’m always recording,” he says with a matter-of-fact laugh. “I’m already at work on the next one.”
This biography was provided by the artist or their representative.
sábado, 17 de abril de 2010
terça-feira, 6 de abril de 2010
remembering Jeffrey Lee Pierce
Below there's the album cover and one music from Jeffrey who disappeared fourteen years ago on last March 31.
Since then I've been reminding his music that I played like a cult in early 90's.
Now. Behind the hell there's the music. Just search it.
And the last of this post:
"Take care"
originalmente postado aqui
Etiquetas:
2010,
80's,
90's,
António Sérgio,
cover,
Gun Club,
Isobel Campbell,
Jeffrey Lee Pierce,
Mark Lanegan,
punk
sexta-feira, 26 de março de 2010
quinta-feira, 25 de fevereiro de 2010
domingo, 7 de fevereiro de 2010
domingo, 31 de janeiro de 2010
sábado, 30 de janeiro de 2010
the queen of covers again
yes she spits on the floor like a real rock an roller and she smells like teen spirit. yeahhh
original post @ KoM
the queen of covers
Etiquetas:
70's,
cover,
Jimi Hendrix,
Leaves,
Patti Smith,
popular,
punk,
Valente,
Van Morrison
silver soul
We gather medicine for heartache
So we can act a fool
It's incomplete without you
The silver soul is running through
It's a vision, complete illusion, yeahhh
The needle along the spinning wheel
Collecting silver coil
It gathers heat without you,
Whether or not you're turned from it
It's a quick turn
To let it figure out
It is happening again
It is happening again...
The bodies lying in the sand,
They're moving in the dark
It is so quick to let us,
We feel it move through our skin
It's a sickness, a manic weakness, yeahhh
It is happening again...
segunda-feira, 25 de janeiro de 2010
sábado, 16 de janeiro de 2010
from happiness
"Weeping Willow"
Did you hear them call you . Did you hear the wind of dream just passing by . There is another whole world hanging there... upside down.
Did you see them dress you . Did you feel your elbows tied up side by side . Someone has brought me a new straight costume... in an asylum.
In the mildness of the spring . You feel creepy like a worm . In your lost enchanted brain . You're proud to go.
With the fairness of your skin . You feel funny in this world . In your lost enchanted brain . Weeping willow.
Did you hear them squeaking . Did you see your broken wings just flying by . They drop me in this fairground... abnormal.
Could you hear them howling . Could you breathe inside your well-known plastic bag . It was a mean to get away from this... accident.
In the mildness of the spring . You feel creepy like a worm . In your lost enchanted brain . Weeping willow.
With the fairness of your skin . You feel funny in this world . In your lost enchanted dreams . You're proud to go... You're proud to go.
de "Happiness" (2005) originalmente postado aqui
quarta-feira, 13 de janeiro de 2010
terça-feira, 12 de janeiro de 2010
domingo, 10 de janeiro de 2010
segunda-feira, 4 de janeiro de 2010
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